When people talk about musical originators and foundation artists in reggae there are many names that have contributed to its rich history.  One these is Dennis “Alcapone” Smith, whose legacy as one of the first sound systems DJs that made the transition from the dancehall to the studio can only be compared to U-Roy.

Born in Clarendon, Jamaica in 1947, Alcapone’s introduction to the music industry came from following and listening to many of the early sound systems in Jamaica, like Duke Reid’s Trojan and Coxsone’s Downbeat Sound System with early DJs like King Stitt, Sir Lord Comic and Count Machuki.

After moving to Kingston, he started El Paso Hi-Fi sound system with two close friends in 1969. They quickly became the talk of the town for combining great selection with Alcapone’s unique style, of combining toasting and singing over classic rocksteady and ska riddims. As Alcapone’s reputation spread throughout the island, U-Roy established himself as the Jamaica’s No.1 DJ performing with King Tubby’s Hi-Fi and releasing singles for both Studio 1 and Treasure Isle Records.

El Paso disbanded the following year and Alcapone took his unique combination of singing and toasting into the studio, recording with producers Keith Hudson, Clement ‘Coxsone’ Dodd and Winston ‘Niney’ Holness.

He built on his success and over a two year period he became one the most in-demand artists, recording with all the key producers, releasing hundreds of singles. His delivery combined quick wit and comedy to tackle social issues, like the classics songs, Wake Up Jamaica, Brixton Town Hall and Repatriation Now!! Along with the U-Roy and slightly later Big Youth,  Dennis Alcapone was not only part of the first wave of recorded DJs but his trademark style influenced many other artists including Dillinger and Trinity.

Alcapone’s success continued throughout the 70s, when he was constantly in Reggae charts in both Jamaica and England, and his popularity was reflected at The Swing Magazine Awards in 1972 when he won the first Most Popular Deejay award. The following year he toured in England for two months and shortly after relocated to London, where he is still based.

Changes in the music scene from the rocksteady DJs of the 70s to the digital riddims and DJs of the 80s encouraged Alcapone to step back from the stage and focus on other commitments. However in 1988 he returned to the scene with a triumphant performance at the WOMAD festival. He has toured consistently over the last twenty years across the world and has continued to release new material, working with The Mad Professor, Bunny Lee and most recently, Prince Fatty and Jerry Dammers.